Lou (2022) review – a horrendously dull thriller

There are no spoilers in this Netflix movie Lou (2022) review.

I’ve lived long enough now to see a movie where the golden girls can kick some ass and later take names while their victims cry before their lives end at any moment. That’s the kind of movie experience you get Lou. This is an action movie starring 6-foot-1, 62-year-old Allison Janney, in which Netflix is ​​trying to make a cheap version of Bob Odenkirk’s film No one. Despite Janney’s admirable turn, Lou doesn’t have the cracking bones or cleft lips, but lacks the humility and self-mockery of a humble killer hiding in plain sight.

Lou Stars Janney as the title character, who leads a quiet and stoic life in the Pacific Northwest. Lou is brutal and uncompromising. As a hunter and tracker, she ignores the local sheriff’s (Matt Craven) obvious laws regarding hunting season. She rents out another property that she owns next door. That person is a single mother, Hannah (Jurnee Smollett). She has a young child named Vee (Ridley Ashlee Bateman). That doesn’t bring her any goodwill from Lou.

Statuesque and weather-beaten, Lou demands that Hannah pay her rent on time, even if the worst storm in a century hits her hard. That’s fine until Hannah’s supposedly dead husband Philip (Logan Marshall-Green) shows up to kidnap Vee in the middle of a storm. After the power goes out and the phone lines are down, Lou and Hannah track Philip through the lush greens of the Pacific Northwest to get Vee back.

Directed by Anna Foerster Lou. She is reportedly working on it source code 2, and now I have serious doubts about the quality of the sequel to the cult classic. Working from a script by Maggie Cohn (Narcos: Mexico) and Jack Stanley (sleeve) this action-thriller is a terribly boring mixture of clichés from better movies strung together. The screenplay plays out more like a storyboard than a completed work. We never fully understand the actions behind some of the plot twists and surprises offered here, which are briefly explained. A psychological component that the film had in mind cannot be proven.

The wonderful Janney is an interesting choice for an action hero. However, her performance is so lacking in urgency that I was amazed by her Alex Honnold-like coolness under pressure. And considering the twist that’s taking place, keep in mind that the stakes are higher than previously thought. The audience isn’t there, but Lou certainly is. It just doesn’t match the actions happening around them. To emphasize this flaw, there are subplots like Philip’s backstory and Lou’s secret that could have made the action experience even more engaging and fun.

Lou has a tone and individualism that is all the rage these days. For example, Philip rocks to Toto’s robust tunes whenever he gets the chance. He even let his daughter listen while he decided to crush a butterfly with his bare hands. And as much as I loved kicking Janney’s Lou and making Daniel Bernhardt cry, he played the title character in the film barry Episode “Ronny/Lilly” which remains one of the greatest television episodes of all time – Lou is a lazy and generic action thriller that sleepwalks through its nearly 110 minutes.

What do you think of the Netflix movie Lou (2022) and the ending? Comment below.

You can watch Lou (2022) with a Netflix subscription.

https://readysteadycut.com/2022/09/23/lou-2022-review-netflix-film/ Lou (2022) review – a horrendously dull thriller


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