What everyone agrees on so far Andor The Disney+ series ventures far from expectations. Whether that is satisfactory or not depends, as a wise old Jedi once said, on “a particular point of view.” The prequel series reveals how Diego Luna‘s Villain One Character, Cassian Andor, became a fearsome spy for the rebels. Even though the mandalorian, The book by Boba Fett and Obi Wan Kenobi emphasized familiar galactic figures, textures and tones, Andor pushes in the opposite direction. It is a war of stars Story that doesn’t feel special war of stars-y.
But that was on purpose.
showrunner Tony Gilroy, a major creative force in the bournes Cinema franchise and an Oscar nominee for writing and directing the 2007 drama Michael Claytonconsciously designed Andor for people who weren’t for life war of stars possessed. Andor is set several years before Luke Skywalker climbs into an X-wing fighter and blows up the first Death Star, but the series doesn’t insist you know that or anything else about what came before or after. The less aware viewers are, the more surprised they might be.
“There are billions and billions of beings in the galaxy,” says Gilroy vanity fair. “There are electricians and carpet cleaners. All these people are there. They all don’t know about the Force, they don’t know about Jedi, they don’t know about the royal family. And the revolution affects them in the same way. My approach is: What about them? What’s happening in the kitchen? I think I’m always looking around the corner, ‘What are these? Miscellaneous people do?’”
This is actually a mental exercise war of stars Observers have been playing for years. Remember Kevin Smith‘s employeewhen the main characters while away the time thinking about all the innocent construction workers (“plumbers, aluminum siders, roofers…”) who were undoubtedly killed when the second Death Star was wiped out Return of the Jedi? Gilroy and Andor lean on that notion, but don’t laugh.
The characters in it Andor are junkyard mechanics like Adria Arjona‘s Bix Caleen, one of Andor’s closest friends, or Imperial cops like Kyle Solleris Syril Karn trying to solve two street murders. In the higher echelons of power is Galactic Senator Mon Mothma (Genevieve O’Reilly) is not yet orchestrating major space battles, instead attempting to secretly channel funds and resources to cover for freedom fighters. Even though war of stars has traditionally inhabited the fantasy genre steeped in the magic and mysticism of folk tales and mythology, Andor is more of a gritty sci-fi version of The cable, Exploring the flow of power through the different strata of a society under duress. This society happens to be in space.
“I like to build small. I like to start with small things in big environments and then just follow them molecularly,” says Gilroy, who has joined for the first time war of stars Universum does rewrites and re-recordings for Villain One. “You created these characters and you believe in them, and you really go into them and what they need and what they’re afraid of.” He says Andor shows how resistance arises. “The pressure on the people and the events that are happening are like in France during the Second World War. How are you? who are you betraying What are you saying? how do you trade What should we do? Shouldn’t we be careful? Shall we join the rebellion? I mean that’s fascinating. So that’s my approach.”
Most reactions to the new show have been positive, but some hurt war of stars Followers have ranted about it – at least in the early episodes –Andor doesn’t indulge in references or connections to previous stories as much as other entries. It fills in some important gaps regarding Luna’s character Villain One– just like the last ones Obi Wan Kenobi series did with Ewan McGregoris an exiled Jedi – but Andor doesn’t populate its world with as many instantly recognizable characters from other films. Villain One Mainstays such as O’Reilly’s Mothma and Forest Whitaker‘s Saw Gerrera appear in later chapters, and even Andor’s outspoken droid companion from the film, Alan Tudyk‘s K-2SO, is not expected before season two. Easter egg hunters will not easily fill their baskets.
Luna, the executive producer of Andor Aside from being the star, he’s glad this series is so different from the others. “I think we definitely succeed, which makes me very proud because it was us meant be different,” he says. Says Luna Andor was developed to amplify the harder tone of villain one, that was the first war of stars Film that did not focus on the Skywalker family. “It was a standalone, the first,” he says. “It was a bit darker, it was more of a war story. It was his own. And when we were asked to do this series, it was the same task.”
For viewers burned out from fan service, shout-outs, and setups for other shows and films, this can come as a relief, and for non-fans, it could be a much-needed entry point to a galaxy far, far away. war of stars is about as big as global entertainment franchises can get, and part of Lucasfilm’s ongoing strategy to keep it that way is to make it more inviting. The more self-centered it becomes, the more closed it becomes. Allow TV shows on Disney+ war of stars Storytellers to experiment with storylines and highlight new characters.
“The hardest thing about the movies right now is trying to address everything,” said Lucasfilm President Kathleen Kennedy said vanity fair for our June cover story The Rebellion Will Be Televised. “The best thing about television is that we can be a little bit more niche and find stories that we know could appeal to younger audiences. We can find stories like Andor. We know it will appeal to a slightly older audience knowing that Obi Wan is the sweet spot of family audiences, eh The Mandalorian.”
Although the classic war of stars The story was refreshingly simple in its good versus evil storyline, Andor explores the darker moral questions of how life would actually unfold under such circumstances. war of stars portrayed the naive hero, the feisty princess, the doubting cynic, the wise old man, but Andor strives to be idiosyncratic rather than archetypal. His main villain, Karn, defies his superiors to solve a double homicide; his other senior Imperial security officer, Dedra Meero (Denise Gough), is tracking signs of what she thinks could turn into a deadly riot. In any other TV show, these could be the good guys. But here their misguided diligence serves brutality and oppression.
Luna credits Gilroy with making viewers question their own impulses and loyalties. “He never writes in terms of right and wrong or black and white. He lives in the gray areas and he’s always concerned with contradictions and complexities,” says the actor. “These characters make mistakes, react to them, and try to be better people, but sometimes they fail—and sometimes they don’t! This series is about the people on both sides, their struggles and everyday life. I think it’s an ambitious idea, but that’s exactly what we had in mind.”
A second season is already in the works Andor, and even though the storylines are gradually converging and the series’ characters are becoming more aware of the galaxy around them, Gilroy still has no plans to delve deep into the world of Jedi and the Force. “It’s not something we’re going to completely ignore, but a lot has been done. It seems like the story of power has been chewed up and consumed pretty well at this point,” he says. “It didn’t seem like new territory.”
Will there be lightsabers one day? Andor? Never say Never. “Who made the lightsaber?” Gilmore says. “I’m interested in the people who are like lightsaber repairmen.”
https://www.vanityfair.com/hollywood/2022/09/andor-star-wars Why ‘Andor’ Feels So Different From Other ‘Star Wars’ Stories